A dozen places you can go to be alone. WHICH WOULD YOU CHOOSE?
If there is anything better than writing a best seller, it is writing a best selling series and a best selling series in a popular genre is sure to be a winner. The way to fame is for your series to be adapted for television, so that everyone knows you have written lots of best selling books, even if they haven’t read them.
Fame may come at a price, murder. Crime thrillers are always popular with the public and that’s not hard to understand; we all like to participate in the thrills without actually being killed ourselves. We all like to guess who did it from the comfort of the sofa without having to pound dark alleyways or lonely moors.
You only need three things for your fabulous fiction.
One or more dead bodies.
One or more detectives.
An interesting setting.
Optional extras are a few interesting characters who insist on getting involved in the investigation.
I love a good crime thriller and some knitting after dinner, we all need a break from writing and computers. At Cheztidalscribe sub titles are our favourites; everything from gritty Paris to dark brooding Wales, from sunny Sicily to bracing Iceland. At present we are watching Trapped, set in a small town in Iceland; the fact that this fascinating country only has three hundred thousand people does not hold them back from having plenty of murders.
Much as I love hearing different languages and seeing a change of scenery, not speaking the language and never having visited are good reasons not to try and write novels set in another country. But there is still plenty of scope for new crime thrillers set in the British Isles. Popular novels can be set in ancient university towns; Morse in Oxford, Granchester in Cambridge. Then there are gritty cities such as Rebus in Edinburgh. Equally popular are quiet villages with an unbelievably high rate of crime, Midsomer Murders or islands such as Shetland where bodies appear at an alarming rate for Jimmy Perez to deal with.
So let’s choose a place with beautiful scenery and scattered remote houses which the police can never get to in time. A detective who must be divorced or widowed and a local population who don’t trust him, because he is an outsider. His only friends are a simmering love interest with a fisherman’s wife and the local vet, doctor or vicar who helps solve every case. The detective inspector can be of either sex, but their constable or sergeant will always be of the opposite sex.
I am going to set my series on the beautiful Scottish Inner Hebrides island of Iona, I have only been there once, for a few hours, but that won’t deter me. There are only about 120 permanent residents and it is only three miles long, but that needn’t prevent them having a serial killer; with lots of tourists coming over on the little Caledonian MacBrain ferry who knows what could happen and as visitors’ vehicles are banned this gives the police a head start on chasing them.
When television producers adapt your thrilling best seller there may be some compromise. Your stocky dark brooding hero is replaced by a well known tall blond actor and they film most of it on the mainland because it’s cheaper. The programmes are so popular you have to write more novels at a frantic pace, if not you will find your intelligent stories replaced by increasingly ridiculous plots and your name will appear only at the end of the credits – based on the characters created by…
But the good news is your book will now appear at the front of the book store with the covers your friend designed with his holiday photos replaced by dramatic pictures of the television star on location.