Brief Appearance

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Do you ever spare a thought for the fruit seller and the uniformed policeman? You know the ones, they always appear in action movies and fast moving crime series on television. There is always a fruit stall in the path of a car chase; whether the hero is chasing or escaping, he screeches round the corner straight into the hapless fruit seller. If he’s lucky he escapes death, but his stall is smashed, his fruit rolling down the street. A day’s earnings lost, perhaps his livelihood… and that is all we ever know of his life. The hero cares nothing about the man and all his dependents, he’s too busy grinning at the sight of the criminal crashing into a plate glass window. Another business ruined, the shop owner showered with splinters of glass and someone else’s blood, suffering from shock at the sight of the criminal’s head thrust through the windscreen, almost separated from his body. But the viewer has already left the scene, unaware of the shop keeper’s future struggles with post traumatic stress.

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But there is more than one criminal the hero has to chase, uniformed police have now arrived, but their role will be brief. The slightest brush with the villain’s vehicle and the police patrol car rolls over, crushed, occupants killed instantly. Our hero spins round deftly to continue his pursuit.

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Often our hero is a maverick secret agent, answerable to no one except perhaps M, if he is James Bond. If our hero is a plain clothes detective he may condescend to return briefly to the police station, before meeting his glamorous girlfriend. In real life he would have a mountain of paperwork and a great deal of explaining to do. But our hero does not hear other officers talking in shocked tones about the death of their colleagues. He slips in to see his boss and avoids the collection going round for the families of the dead officers. It’s just another day for him.

 

 

Caught on Camera

One holiday not long ago we were on Bodmin Moor, Cornwall; a dog walker, a few sheep and a man tending a crackling bonfire in the garden of the solitary house. A strange noise made us look up into the evening sky. We zoomed in with our cameras, not a UFO, but the first drone we had ever seen. Not the sort that drops bombs luckily, but what was it doing? Watching us? Is there anywhere you can go without being seen?

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The next day we returned and drove up a road to investigate the tall mast on Caradon Hill we had seen from afar. Warning signs said Private road, access only. We walked the rest of the way up the grassy hill, veering away from the unmade road, past the gigantic guy ropes, steel cables holding up the metal tower. There was a complex of buildings, entry by security pass only, CCTV in operation. Obviously a secret facility, we were being filmed and I expected armed troops to emerge at any moment to take us in for interrogation. The signs were headed by the word Arqiva – a sinister secret organisation for sure.

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The truth was more prosaic when I looked the place up on Wickepedia.

The Caradon Hill transmitting station is a broadcasting and telecommunications facility. Built in 1961, the station includes a 237.7 metres (780 ft) guyed steel lattice mast. The mean height for the television antennas is 603 metres (1,978 ft) above sea level. It is owned and operated by Arqiva, a British telecommunications company which provides infrastructure and broadcast transmission facilities in the United Kingdom and Ireland.

But perhaps that information was a cover up; we only escaped arrest because they had identified us as civilian ramblers.

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We are all being watched, all the time. CCTV cameras we know about, on buses, station platforms, in shops. We don’t know if we are being filmed or watched live. Above us are police, military and coastguard helicopters.

It is not only people who are being watched, so is your vehicle. Drive down many main roads and your journey has been recorded by ANPR – Automatic Number Plate Recognition; if the car is stolen or of interest for any reason it will be spotted. Police cars can now carry similar equipment. Writers of thrillers or crime novels have a harder time than ever helping their characters hide or escape, though in fiction and real life criminals are often one step ahead of new technology.

But writers can find new inspiration for plot ideas.

Pity the chap whose neighbour offers to give him a lift to Heathrow Airport in his mate’s car. By the time they are driving through the tunnel they have already been spotted on the spur road. Unbeknown to the occupants of the car, the neighbour’s friend is a criminal or terrorist. When the car is stopped they will have a hard time explaining who they are, by which time the flight will have been missed.

We have all seen pleas on television for missing persons or witnesses to the movements of a murder suspect. There on the screen is a CCTV picture taken inside a bus with the exact time and date. A wife spots her husband, who never uses buses and should have been at work on the other side of the city. A good starting point for a mystery.

In Brief Encounters of the Third Kind the main characters fear they are not only being observed, but controlled. There is no rational explanation for inexplicable events and when they finally reach a glimpse of the truth it is not what they expected.