Covert Coves and Continuity

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We once stayed for a week at a secluded Scottish cove where I was glad to discover there was no reception for mobile phones, nor was there a landline in the cottage. At the very top of the cliff, if you held your phone high in the air you could be lucky and get reception. A peaceful place for a holiday and proof for authors that there are still settings where mobile phones cannot be used; where characters can escape without being traced or where persons in peril cannot call for help.

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The plots of crime fiction, spy thrillers and romances changed for ever when mobile phones became ubiquitous. No running along dark lonely roads or knocking on strange doors to fetch help, a quick call on your mobile and an air ambulance or armed response unit could be with you in minutes. No wonder authors enjoy putting their heroes and villains in spots where there is no mobile reception.

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But you can’t always trust your characters. Reading through the third draft of one of the novels in the Brief Encounters Trilogy  I realised several of my leading characters, in several scenes, had casually used their mobile phones when they knew perfectly well there was no mobile phone reception at Holly Tree Farm. Some minor plot changes were needed for the fourth draft.

Proof reading and editing the manuscript of a novel is not just about lost commas, the wrong ‘their, there and they’re’ and ‘from’ turning to ‘form’ when you’re not looking. Continuity is just as important as on a film set.

Holly Tree Farm nestles in the quiet Wiltshire countryside; when Nathanial inherits the house it offers a refuge for his new friends and their secrets, but they never could have guessed the rambling old farm house had secrets of its own.

Read the first book in the trilogy for 99 pence.

7 thoughts on “Covert Coves and Continuity

  1. Interest post. Just yesterday I thought about this. I was reading the newest Flavia de Luce mystery and thinking: were these expressions used back then? Of course the whole plot is totally improbable, but still — in for a penny of credulity, in for a pound.

    Liked by 1 person

  2. As a writer, it is essential to be meticulous about continuity. My wife has reconciled herself to my commenting on continuity errors on TV shows and movies (I don’t bother with mentioning ones from books LOL). A character on one show that’s been gone for just a few years had the female lead walking along a path with one pair of shoes and after a cutaway to another scene we saw her again with a different pair. Sloppy!

    Liked by 1 person

  3. I love those people who write to the Radio Times and say ‘on last night’s new historic drama the officer had three brass buttons on his jacket when everyone knows the fourth suchandsuch regiment had four…’

    Like

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