The View From Here




The word novel has been taken from writers, or perhaps taken back; it means new and a novel virus is… ‘a virus that has never previously infected humans, or hasn’t infected humans for a long time, it’s likely that almost no one will have immunity, or antibody to protect them against the novel virus.’
But that is the least of our worries as writers. Are you currently writing a novel set in the present? A spy or crime drama, a hero or con man moving in high society; they can’t go to the casino, it’s closed, Las Vegas and Monte Carlo are closed. The fifty storey power tower where your ruthless villain does his wheeling and dealing is empty and no one wants to meet up with him. Perhaps he will lend his extravagant new international exhibition centre to be used as a field hospital; unlikely, he has already fled to self isolate on that remote Pacific island he bought last month; luckily the hundred original occupants had already been ‘relocated.’

Perhaps you were writing about real people, ordinary good people who sit on London Bridges holding up everyday life to plead for the planet to be saved. Now everyday life has been halted in a spectacular fashion they could never have imagined and they are stuck at home wondering what to do next. You can’t write about ordinary bad people either. Fleeing from the police and getting lost in the crowd is off, so is getting on a plane and starting a new life in Brazil; all flights are cancelled and the police catch up with you at the bus station, arresting you merely for being outside, not for your impressive crime record.
What if your genre is modern romance? No one is going to find love with that person at work they hated at first, nor will they fall for the stranger in the bar. There is still on line dating, but if they can’t meet, how will the plot develop?

Perhaps you should start a brand new novel, a novel novel, a virus novel. Your hero is the scientist nobody believed, who reveals biological warfare and a virus stolen from a laboratory. Or closer to home, a cosy mystery; has the best friend really died alone in hospital with the virus, or is that just a cover for their disappearance?
Not to waste a good bad character, take up the plot on that Pacific Island where the villain is planning to use the pandemic to take control of the whole world; bring in your new heroine Jayne Blond.
Don’t forget children’s fiction. Paddington Pangolin; rescued from a wet market by a young woman teaching English as a second language. She smuggles him back to Heathrow on the last flight out and takes him on the Heathrow Express to Paddington Railway Station, where he unfortunately gets lost. More troubles lie in store when he is blamed for starting Corvid 19. Can he find his friend, can she keep him safe?

What are you latest ideas for writing?
My latest novel is set in 2014, which seems like history now, so why not escape to the past…






I was looking forward to a quiet Saturday when the doorbell rang. I only half opened the door, hoping to keep out the torrential rain and wind. On the doorstep stood a complete stranger, or at least it was hard to recognise who she might be with her head bowed and face concealed by the hood of her sodden coat. When she looked up, her expression was one of confusion.
‘Oh, er sorry, is your daughter in?’
I relaxed, pushing the door back another inch. ‘I think you must have the wrong house, I don’t have a daughter.’
‘Oh erm… is this The Lighthouse? Only I was a bit confused because it doesn’t look like the pictures and it isn’t very near the sea.’
Who was this stranger and what pictures?
‘It is only ten minutes walk from the cliff top’ I retorted.
And what business of hers what I called my house? It was a bit of a joke, my fantasy of living in a lighthouse on a rocky outcrop hadn’t quite materialised. The little featureless home in a row of similar houses could have been in any suburb anywhere, but I could walk to the sea; if my knee wasn’t playing up or the weather wasn’t too dreadful.
‘I don’t suppose mine is the only house called The Lighthouse, did you use SatNav?’
‘I came on the train.’
That explained her drowned rat appearance, a cliché, but she did actually look like a drowned rat; it was a good walk from the station. What was I supposed to do with her? She had an accent I couldn’t place.
‘I’m sorry I can’t help you, is it a friend or relative you’re looking for?’
‘I was sure this was the right place, Sandbourne, Wessex, I’m over in England for a writers’ convention in London next week.’
I felt a touch of sympathy for a fellow writer and a niggle of guilt that I had not invited her to put even a toe inside the door.
‘What a shame you have such awful weather for your day at the seaside, it might brighten up later. I hope you manage to find your friend.’
‘She’s a fellow blogger, I’ve never actually met her.’
A disquieting bell began to ring inside my head. I am a blogger, but who on earth would want to meet me in real life. Perhaps Sandbourne was full of bloggers who would welcome a visit, but I had no desire to meet fellow bloggers in real life. The whole point of blogging was surely to avoid people.
The woman blinked away large drops of water splashing down from my gutter. ‘She’s called Scribbletide, her blog’s called ‘To The Lighthouse’ … you know, after the Virginia Woolf novel.’
‘Yes, yes, I have read it, they never actually get to the lighthouse.’
Hmm, just like me, that’s why I called my blog that… I never get to the lighthouse. But how on earth had this bedraggled refugee from abroad found out where I lived and how long before she cottoned on that I no longer looked like that picture of me taken thirty years ago, nor do I live on Portland Bill. I could carry on feigning ignorance and hope she cleared off, but what if she told the rest of the blogging world the truth? No more Likes and ‘hugs’, no more followers. And I was intrigued, which of my thirteen followers was she?

‘You had better come in, as long as you promise not to write a blog about me.’
With her dripping coat hanging over the kitchen chair and a mug of tea in her hands she looked a bit more presentable, but with no resemblance to any blogger I could think of.
‘So are you Scribbletide?’ she stared at me suspiciously.
‘Well it’s a long story… why don’t you tell me what your blog is called.’
‘Leaping into the Unknown, it’s my day today, my sixth birthday.’
It took me a few moments to cotton on. ‘Leap Year, 29th February today, your birthday, not a very exciting way to spend it. I don’t Do birthdays, but if you only have one every four years I guess it should be special. Do I follow your blog?’
‘Yes, all the time, I’m Jolly Jumper, you love my daredevil adventures.’
Now I knew why she did not look familiar, her blog persona was a cartoon superwoman who wore a colourful Scandiknit jumper. Her real self looked like she would get vertigo climbing a step ladder.

I took her to the cliff top café for tea and a big slice of cake. She wouldn’t go near the edge of the cliff as she was scared of heights, but with the dreadful weather, we were happy to sit inside and chat. After seeing her off on the train back to London I went home to start my new blog post.
What a thrill today to meet a fellow blogger from over the ocean. My special visitor, Jolly Jumper, was dropped off by the Sandbourne Lifeboat and scrambled up the craggy rocks to knock on the door of my lighthouse. It was so windy I could hardly open the heavy wooden door…








I am enjoying several books on my Kindle, one novel, two short story collections, poetry and a cutting humorous slice of real life, but no new reviews since the January’s Sunday Salon… in the meantime we have been to the theatre and seen some excellent programmes on television. Here are two stories that have stood the test of time…
Agatha Christie’s murder mystery play The Mousetrap opened in London’s West End in 1952 and has been running continuously ever since then. It is the longest-running West End show, the longest initial run of any play in history; there is a twist ending, which the audience are traditionally asked not to reveal after leaving the theatre.
The play began life as a short radio play called Three Blind Mice, written as a birthday present for Queen Mary, The Queen’s grandmother and broadcast on 30 May 1947. The theatre play is based on a short story based on the radio play, but Christie asked that the story not be published as long as the play ran in the West End of London. The short story has still not been published within the United Kingdom, but it has appeared in the United States in the 1950 collection Three Blind Mice and Other Stories.
When she wrote the play, Christie gave the rights to her grandson Mathew Prichard as a birthday present. In the United Kingdom only one production of the play in addition to the West End production can be performed annually. Under the contract terms of the play no film adaptation can be produced until the West End production has been closed for at least six months. So don’t expect to see any time soon a block buster movie brought into the 21st century and set in Bollywood or Hollywood, or perhaps on a space station. The play was set in ‘the present’ but has been left safely in the 1950’s.

I first saw The Mousetrap in London in the seventies while over from Australia on the ‘working holiday’ that never ended. As for many visitors to London it was a must see and my mother had always talked about the audiences being sworn to secrecy; how amazing that no one has ever given the game away! I enjoyed it and was proud to have guessed who dunnit.

This time we were at The Lighthouse in Poole, an early stop on the play’s 2020 UK Tour. I remembered who dunnit from last time, but recalled nothing of the plot so it was a fun evening. There is one set, the interior of Monkswell Manor, recently converted to a guest house run by a young couple. On the radio we hear of a murder and the police looking for a suspect in a dark overcoat; as each character appears on stage they are all wearing dark overcoats. Heavy snow leaves Monkswell cut off from the rest of the world, so of course when a murder occurs we know the murderer is in the house… A plot happily repeated on islands and trains etc. by Christie. There are plenty of twists and turns to keep us guessing and the second half especially moves along at a good pace. I’m not going to tell you what happens and if you know, don’t mention it in the comments.
https://www.mousetrapontour.com/uk-tour/
We move along a few years into in the early 1960s for an excellent six part BBC Sunday evening drama ‘The Trial of Christine Keeler’. This is a story that never seems to lose its fascination, there have been documentaries, books and a film; the scandal has been examined with 21st century eyes. When I was a child it seemed to be on the news all the time, though I had no idea what The Profumo Affair might be. John Profumo was the Minister for War in the turbulent times of the Cuban Missile Crisis; not only did he have an affair with the naïve ( perhaps not sexually naïve, but in every other way ) Christine Keeler, who also slept with a Russian spy; to make matters worse, he lied to The House of Commons, his chums and presumably to his wife, who happened to be famous actress Valery Hobson. Stephen Ward the society osteopath was another leading character, a ‘libertine’ who mixed with the aristocracy and politicians, groomed Mandy Rice-Davies and Christine Keeler and was responsible for Keeler meeting these men in the first place. The press had a field day.
It is a tribute to the actors that our sympathies were with the two girls and Stephen Ward. They enjoyed living at his flat, looked after them is hardly the right term, Keeler was only seventeen when Ward met her, but to them he was a friend and they were having fun. When Profumo suggested he put Keeler in her own flat she replied ‘But what about Mand?’ She didn’t want to live by herself, she wanted to stay with her friend at Ward’s.
The six part drama was able to explore a lot more about Christine’s early life and the ex boyfriend dramas also going on at the time. Most viewers probably knew Ward ended up committing suicide, perhaps making all the more poignant the lead up to the sham trial of Ward. He was expecting his many important friends and clients to step forward as witnesses for his defence, but in the end they all deserted him. James Norton was brilliant as Stephen Ward. So too were Sophie Cookson and Ellie Bamber as Christine and Mandy, two girls who were real people, not just two dumb models to be exploited by everyone. From Stephen Ward’s elegant mews flat to the sixties clothes, makeup and hair do’s this was a polished production.
https://www.radiotimes.com/news/tv/2020-01-26/trial-of-christine-keeler-cast/
Have you seen the Mousetrap?
Do you prefer fiction or real life drama?

I walked down the hill to Tuckton Village and passed boarded up shops; as I rounded the bend I saw the guards at the bridge over the River Stour turning people away; it was true, we still had twelve hours before we left the European Union, but Remainer movement was restricted more each day. There was still a chance; I slipped past the ruins of Tuckton Tea Gardens and joined a straggle of people wandering aimlessly, their eyes darting to the river. One man suddenly dashed to an empty boat, struggling to untie the mooring, a shot rang out and the rest of us dived for cover. Round the bend we kept to the trees, it was quiet, we all had the same goal.
‘Fifteen pounds each, this is my last trip!’ whispered the Wick ferryman.
I was the last to squeeze on board, we lay low in the water. I proffered two notes, my last cash now the dispensers were gone. I doubted I would need them; no annual literary dinner now all the Christchurch hotels were commandeered; our writers’ group was unlikely to last another four weeks. As we landed across the river I scrambled to get off, whilst others struggled to get on. They looked desperate, carrying as many belongings as possible, waving wads of money; the only words on their lips ‘Isle of Wight’. I watched as the little boat set off down river, things were worse than I thought. My fears were confirmed when I heard the bell of the Priory tolling. Many people were still around, madness in the air; we surged towards the high street and saw a spiral of smoke rising up.

Brexit Extreme had grown in power, disconcerting the respectable conservative Brexiteers, confounding the confused abstainers and putting terror in the hearts of Remainers. Hiding amongst the crowds, I made my way towards a bonfire in the centre of the road. The rabble were rushing out of the Regent Centre tossing paintings on the fire. Outside the tourist office a guard urged people to destroy the seditious pamphlets inside. As I edged along the pavement towards the library, guards and civilians came out carrying piles of books, throwing them gleefully on to the blaze. Anything that smacked of elitism or liberalism was being destroyed. I looked up, from an open window fluttered white sheets of paper, the precious work of our writers’ group. I tried to catch them.
A guard spoke gruffly to me ‘You don’t belong to the writers’ group do you?’
‘No, No of course not’ I stuttered, moving on.
Someone fleeing from the library, shielding their eyes from the glare, shouted to me.
‘Aren’t you from the writers’ group?’
‘No, you must be thinking of someone else.’
I tucked my blue scarf with its gold stars deeper under my collar and fled into Saxon Square away from the heat; coming towards me were two members of my writing group; I put my collar up, turned and slipped back into the crowds. I heard a cheer go up, someone was coming out of the Regent Centre carrying aloft the Wooden Quill Poetry Award; he tossed it into the flames. I patted my pocket, inside was the memory stick with all my writing on; was I too late to get to the Isle of Wight?