Sunday Salon – Meet The Author

J: Greg, you have recently published a historical novel with the intriguing title Champagne in a Broken Teacup. What’s the book about?

G: Without giving too much away, here’s a short summary I wrote for Amazon.

In the spring of 1940 recently married Marie-Claire is blissfully pursuing her career as a freelance artist in Paris. She has no idea that in early May Hitler’s armies will invade France and rip her life apart. In the book we follow her life as tragedies strike and she is forced to flee Paris to escape from the Gestapo. Using a false name and identity she begins a new life in the small provincial French town of Nevers. She finds unexpected inner strength as a resistance worker but her previous life in Paris catches up with her.

J: What inspired you to write it?

G: As a young boy growing up in Canada I was fascinated by the stories I was told about my French aunt. During WW2 she was an art teacher living in the small French town of Nevers where she became a document forger and fighter in the French resistance. As if that wasn’t fascinating enough for a young boy, even more exciting were some of the stories of her escape from the Germans.

Fast forward several decades to the time I retired and started to focus on my interest in writing and inevitably the stories of my aunt’s adventures came to mind. However, I realized I didn’t know enough detail about her life to turn it into a stand alone story and unfortunately she had passed away many years earlier. I decided I needed to find out more about the world she would have lived in and what life would have been like for her in occupied France.

Thanks to the internet and the digitization of many documents I was able to find out far more than I expected. I found it quite moving to be able to read the very newspapers my aunt would have been reading nearly a century ago. I was even able to look at copies of leaflets that the RAF dropped over France during the war – leaflets that my aunt would have picked up in the streets of Nevers and read. I was amazed to find out that the RAF dropped over 640 million such leaflets over France.

Like most of us I had been taught about the big battles and political aspects of the war but virtually nothing about the lives of the ordinary citizens. As my research progressed I became more and more fascinated reading about the things which affected people’s daily lives and the things they did to fight back against the German occupation. I decided that what I wanted to do was write a fictional novel that incorporated the stories I’d been told about my aunt interwoven with historical reality.

G: That’s a good question. In one sense, being a fictional novel my characters are fictional. On the other hand some of the events included in the story are portrayals of events which involved my aunt – but obviously I can’t tell you what they are right now as that would give away too much of the plot. What I can say is that the picture on the back cover of the book, of German soldiers in the rain, was actually drawn by my aunt in Nevers in 1941 when she was a resistance forger. It is one of the few things I have of hers. It hangs on the wall beside my desk and helped inspire me to write the book.

The historical events mentioned in the book are real as I wanted my characters to react to the actual events of the time. Although a lot of what my characters experience and do may not have happened to my aunt they are based on my research and on true stories of what people actually did in the resistance at that time.

J: Did you spend a long time doing the research?

G: Yes, and I enjoyed the research almost as much as writing the book. I became engrossed in reading about such things as forging techniques, rat bombs and pencil detonators as well as more dramatic activities such as derailing trains and blowing up fuel dumps.

I was also fascinated by the small details I discovered during my research which I’ve never seen in a history book. For example, the fact that within six weeks of the fall of France the newspapers reported that it was now illegal for bakers to make croissant or brioche.

J: Illegal for the French to make croissant?

G: Yes, at first I thought the report might be some sort of joke by the newspaper, but thanks to the internet I was able to access and read the actual regulations issued by the Vichy government..

Also thanks to the internet I was able to research locations in Nevers. I even found a 1940’s picture of the steps of the Rue de Calvaire – a place which plays an important part in the story.

Nevers 1940 Rue de Calvaire

J: Tell me about the title. It’s so unusual.

G: The title is critical to the story so I can’t tell you too much about it. All I can say is I needed a title which would be unique and yet fit in the plot as plausible.

J: I enjoyed reading your novel and gave it a five star review on Amazon as a ‘cracking good read’. What have other people said?

G: I’ve had a lot of positive feedback. In fact several people have said the whole story would make a great film.

J: I agree. And before you go, that important question. Where can people get a copy of Champagne in a Broken Teacup?

G: The book is available via Amazon as a paperback, a hardback, a Kindle eBook or via Kindle Unlimited. Our website https://www.kenebec.com?d has a direct link to Amazon for this book and our other books.

I’d like to thank you for asking me to talk about Champagne in a Broken Teacup. I’m not sure how many of your readers are local but if they’re interested I’d just like to add that I’ll be giving a talk about the research behind the book in June at the Sturminster Newton Literary Festival.

Thanks for coming along Greg and good luck with your book sales and festival talk.

Janet Gogerty

5.0 out of 5 stars A great story that brings recent history to life.

Reviewed in the United Kingdom on 15 March 2025

This is a cracking good story and a very well written novel. Paris under German occupation in World War Two is the setting. This is history, but the novel goes far deeper than the classic black and white photographs of German soldiers marching past the Arc de Triomphe. The author takes us into the lives of happy young newly-weds and their friends. This novel is inspired by the author’s aunt who worked for the resistance and is backed up by careful research. Far from being a dry recounting of the times, we are soon wrapped up in the lives of young and older Parisiens determined to fight for their country as violence and the death of friends and family becomes a reality. The Germans are not the only enemy as informers and traitors make it impossible to know who to trust, keeping us in suspense in every chapter.

https://www.amazon.co.uk/Champagne-Broken-Teacup-Adventures-resistante-ebook/dp/B0DPVJNZRM/

Silly Saturday- Dropping into Documentaries

I never get invited to be in documentaries. I was watching a documentary about a well known artist the other night, admiring her garden as she wandered down the path to her interesting studio. Then into the studio saunters a young man and on the screen appear the words Fred Bloggs ( not his real name, which I forget ) friend and writer. I have no idea what he has written, perhaps I should have heard of him and read all his work. But it doesn’t matter, he enjoys a certain kudos just by being a friend of a famous ( and infamous ) artist. Did he just turn up or did the producers plan his role and coach his lines to the artist ‘Have you got time for a cup of coffee?’ Luckily she had and they chat about her work, not his writing.

How do you get to appear in someone else’s documentary? It helps to actually have a friend who is a famous artist, or any friends at all. I do have some artistic friends, but nobody has made a documentary about them.

It also works the other way round. I was watching a documentary about a writer last night and lo and behold, we pan to a studio and there is someone else whose name I forget; the screen says Joe Smith, friend and artist. A great asset for the film makers because they can film him painting a portrait of his famous friend. Now I just need to find an artist who paints portraits and wait for someone to make a documentary about me.

If you enjoy visiting galleries, why not visit my Covid safe gallery.

https://www.ccsidewriter.co.uk/chapter-three-picture-gallery/

The Blog of Many Colours

Times and Tides of a Beachwriter is brought to you today by the colour peacock blue, thanks to Kevin Parish who started the ball rolling last week by choosing one of the most exotic colours. You can visit Kevin’s blog here.

https://whatwordsmaycome.com/

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Other birds may have streaks or patches of the iridescent blue, in tropical waters we might find fish showing off that colour, I don’t think any flower could quite match it. So the male peafowl gets to have a colour named after him. His home was originally India, he may have arrived in Britain with the Romans, but most of us think of peacocks strolling proudly around the grounds of stately homes. I like to imagine the lord of the manor bringing some home as a gift for the lady of the manor, but would she be so enamoured after constantly hearing their mournful cry? Perhaps she would suggest a banquet; their beauty did not prevent them being eaten, a dish to impress at mediaeval feasts.

Would any creatures from the past have worn peacock blue? I have never been to New Zealand, but it fascinates me because it was blissfully devoid of human beings until a thousand years ago or less. Reminding us that other  creatures are there because they are there, not for us to go on holiday to look at or have documentaries made about them. Did the various species of giant moas have wonderfully exotic plumage, with no predators to worry about? But they did…

‘The Haast’s eagle (Hieraaetus moorei) is an extinct species of  eagle that once lived in the South Island of New Zealand, commonly accepted to be the Pouakai of Maori legend. The species was the largest eagle known to have existed. Its massive size is explained as an evolutionary response to the size of its prey, the flightless moa, the largest of which could weigh 230 kg (510 lb). Haast’s eagle became extinct around 1400, after the moa were hunted to extinction by the first Maori.’

I wonder what sights greeted the first Polynesian arrivals on these remote islands. How sad moas are no longer with us.

Further back are the species that humans can’t be blamed for making extinct. What colour were pterodactyls? It is now theorised that dinosaurs were not the shades of greens and greys they are given in pictures. Imagine a peacock blue diplodicus or could you take an irridescent blue Tyranosaurus Rex seriously?

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Can  artists recreate peacock blue? Artists have always sought ways to make blue pigment.

‘ Lapis first appeared as a “true blue” pigment in the 6th century, gracing Buddhist frescoes in Bamiyan, Afghanistan. Around 700 years later, the pigment traveled to Venice and soon became the most sought-after colour in mediaeval Europe. For centuries, the cost of lapis rivalled the price of gold, so the colour was reserved for only the most important figures, such as the Virgin Mary and the most lucrative commissions, the church.’

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The Winchester flower festival in the cathedral last year had as its theme the Winchester Bible, the bright red and blue flowers refelecting the colours used for illuminated text.

Or perhaps stained glass best recreates nature’s blue.

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Next week’s colour, purple, was chosen by Sandra. If you have a favourite colour you would like to see, tell me in the comments.